Archive for the ‘Trivia’ Category

Polish Boxes

Friday, September 3rd, 2010

Decorated Polish boxes that Odds & Ends Enterprises carry are handcrafted from seasoned Linden wood in a village high in the Tatra region of the Carpathian Mountains of Southern Poland. Skilled artisans, decendents of Tatra shepherds and farmers called goral (highlanders) are recognized as the best in their profession. These master craftsmen proudly apply centries old traditions of handcraftsmanship to each Polish box, creating admirationj for the quality and design of their work.

The use of feathered joints, raised interior lining and recessed hinges in the construction of each box insures its lasting as a family heirloom. Polish boxes are decorated with one or more of the following techniques: hand carving, brass inlay, image burning and staining.

Russian Lacquer Brooches

Sunday, August 22nd, 2010

The first brooches and boxes with lacquer miniatures were brought into Russia in the 18th century from Western Europe. At the same time the first private workshops were opened in Moscow and St. Petersburg.  In the late 18th century a Russian merchant, P.V. Lukutin built his worldwide known factory in the village of Fedoskino not far from Moscow.  Though the Fedoskino painters worked in Western Europe art techniques, they used the scenes of Russian everyday life for their miniatures. Fedoskino brooches with compositions of flowers were especially popular among Russian women. The miniatures with pictures of Russian landscapes and finely made portraits were also widely known. The Fedoskino brooches are painted in oils on paper-mache or mother-of-pearl. Since late 19th and early 20th century the production of original lacquer  brooches of genuine Russian style were organized in widely known places of icon-painting, such as the Russian villages of Palekh, Mstera,and Kholuy. The local painters used old secrets for new art. Their wares are remarkable for their fine-drawn and very difficult painting and can be very expensive. The artists of Paleka, Mstera and Kholuy use old formulas of paints which were employed for icon-painting. The beautiful “double brush” art technique is used for Zhostovo brooches. Zhostovo flowers are famous all over Russia. Today some Moscow painters are trying to revive the art of lacquer miniatures. Their works are based on some of the best examples of old Russian art which are exhibited in the museums of Moscow and in the Russian Orthodox Church.

Eskimo Artifacts

Tuesday, August 3rd, 2010

While ivory carvings made fromwalrus tusks or whale teeth have been the most emphasized articles of Eskimo at, basketry and wood-working are other areas in which these Alaskan Indians excel. Their designs are done through the application of simple yet very dramatic lines and almost stark decorative devises. Though not collected to the extent of American Indian art, the exquisite craftmanship of these northern tribes is beginning to attract serious attention of today’s collector.

Electric Appliances

Tuesday, August 3rd, 2010

Antique electrical appliances represent a diverse field and are always being sought after by collectors and decorators. There were over one hundred different companies manufacturing electrical appliances in the first half of the twentieth century. ; some were making over ten different models under several different names at any given time in all fields: coffeepots, toasters, waffle irons, etc., while other were making only one or two models for extended periods of time. Today collectors and decorators alike are seeking antique electrical appliances to add to their collection or to use as accent pieces in a period kitchen. When purchasing any older electrical appliance be sure to ckerck the cord before using and make sure the appliance iis in good condition.

Boehm Sculptures

Monday, August 2nd, 2010

Boehm sculptures were the creation ofEdward Marshall Boehm, a ceramic artist who coupled his love of the art with his love of nature to produce figurines of birds, animals and flowers in beautiful background settings accurate  to the smallest detail. Boehm’s first pieces were made in the early 1950′s in Trenton, New Jersey, under the name of “Osso Ceramics”.  Sculptures of historiical figures were also created. These early pieces are very collectable today. ”Osso Ceramics” in upper case lettering  was the mark used in 1951 and 1952.  Edward Boehm died in 1969 anf the firm, still in business is managed by his wife. Today known as Edward M. Boehm Inc., this private family-held corporation not only produces not only procelain sculptures but also collector plates as well. Both limited and non-limited editions of their work have been issued.  Pieces are marked with various backstamps all of which incorporate the Boehm name since 1951.

Buggy Step

Monday, August 2nd, 2010

The recent increased interest in western collectibles has stimulated a renewed awareness and interest in all horse-drawn memorabilia. One such item is the buggy step. This devise allowed the passenger to enter or exit the buggy without the drivers assistance. The steps could be hinged, pivoted, adjustable, folding, or spring loaded. The elaborate handwork of the blacksmiths who created the buggy step was equal to that of the finest wheel-wrights, carpenters, and leather workersin the manufactiure of  early wheeled vehicicles (1865 – 1910).

Calling Cards, Cases, and Receivers

Monday, August 2nd, 2010

The practice of announcing one’s arrival with a calling card borne by the maid or household servant to the mistress of the house was a social grace of the Victorian era. Different messages (condolences, a personal visit, or a good-by) were related to the lady of the house by turning down one corner or another. Fashionable ladies and gentlemen carried their personally engraved cards in elaborate cases made of materials such as embossed silver, mother-of-pearl with intricate inlay, tortoise shell, ands ivory.  Exquisite card receivers  held the cards left by visitors who called while the mistress of the house was out or “not receiving”.  The custom of leaving and receiving calling cards was sadly forgotten by World War I.

Cambridge Glass

Monday, August 2nd, 2010

The Cambridge Glass Company began operation in 1901 in Cambridge, Ohio. Until the 1920′s the company producedcrystal dinnerware and well designed accessory pieces. Several different designs or patterns were etched into the glassware.  In the 1920′s the company introduced colored dinnerware which became very popular in the American dinnerware  market.  Always maintaining a high standards of quality and elegance, the company produced many lines that became bestsellers. Through the 1920′s and 30′s the Cambridge Glass Company as the largest manufacturer of this type of glassware in the world. The company stopped production and closed its doors in 1958. Of the various marks the company used; the “C in the triangle” is their most familiar and most sought after by todays collector.

Moorcroft Pottery

Sunday, May 2nd, 2010

Anemone Plate

Moorcroft Pottery is made in Stoke-On-Trent, Staffordshire, England in the original factory that it has been in for over 100 years. The factory was started by William Moorcroft (1872-1945) whose name first appeared in the pottery market in 1897. William Moorcroft started out producing potteryt of his own style and techniques for James Macintyre & Co. where his name gained international recognition. But when Macintyre wanted to stop production of ornamental pottery within his company, Moorcroft sought out and recieved financial backing to start his own company. William Moorcroft’s pottery first came to the United States in 1904 and has been collected here ever since.  In 1929 Queen Mary, who had been collecting his pottery, made him “Potter to the Queen” and the pottery was so stamped up until 1949.

Today, the artists who carry on the Moorcroft tradition us the same techniques that originally defined Moorcroft. Different shapes of pottery are created by hand and then a mould is made of the original so that copies can be made. Once a pot is removed from the mould the piece is hand-turned on a potters lathe to ensure a perfectly smooth and even surface. Directly onto the shapes of the unfired pottery the artist lays out his design in full round (ie. the designs  are created specifically for the unique shape of the piece). The designs are then  traced from the master sheet onto the pot.  Just as William  did back then, todays artists use a small squeeze bottlew and trace over their pattern lines with liquid clay in a process called tube-lining. These raised lines give the piece a lovely surface texture. olored glazws are hand-painted onto the piece which is then fired. After the initial  firing the piece is dipped into a special clear glaze which, after a second firing, brings out the richness of the colors and gives the whole piece an amazing glass-like sheen.

Each piece has different stamps and markings on the bottom which tell who the designer was, the year of the design, the year the piece was made, who the tube-liner was, who paintedit and also the Moorcroft stamp and if  it is a limited edition.

Art Nouveau

Friday, April 30th, 2010

The term Art Nouveau comes from the famous”L’Art Nouveau” shop in the Rue de Provence in Paris, France. This “New Art” spread across the European continent and arrived in the United States in time to add its unique artistic elements and asymetrical ornamentations t0 the ostentatious remains of the Rococo revival of the 1800s.  The Art Nouveau style appeared in every facet of decorative art. In glassware Tiffany turneed the Art Nouveau concept into a commercial success that lasted well into the 20th century and created  a style that inspired other American  artists and designers for decades. Furniture, Lamps, Bronzes, jewelry and even automobiles were designed within the realms of its dictates. There are many wonderful examples of Art Nouveau available today’s collector allowing them to choose one or more  areas that may hold special interest.